The prickly process of writing a Synopsis.

The prickly process of writing a Synopsis.png

Synopsis, a pretty word for stripping away the petals, leaves, and thorns. They just want the stem, what holds your story together and brings it from the soil to the sky.

I found that there are 2 main types of Synopsis; the long and the short.

  1. Short Synopsis is 2 pages double spaced. It reveals everything of importance. This is what everyone means when they ask for a synopsis or short synopsis. This is what to submit with the Query and sample pages to the literary agent or agency.
  2. Long Synopsis is 4-6 pages doubled spaced with more detail. It also reveals everything of importance, but more of it. The long is a special request and will be asked for specifically.

Opinions everywhere and no one agrees. There are many opinions out there on how to write one, what is expected and what to show. There are even books written on how to write a synopsis. The gist of all the advice and samples I found is to keep it an active read, not to just drone out a monotone report of how the story goes.

  • Don’t write it in first person.
  • Make a point form list of major events to work with.
    • Make a sub point of any minor events that affect major plot.
  • Choose which characters to present wisely. This was tough for me the story is about a group of people, focusing on one main and her support character. However, one other person is very important to a major plot turn. I chose to work all three in.

So I sat down and started my synopsis. It was painful. Two pages fills up quickly and then some. The first draft I wrote was a whopping 5 pages long and hated it. I tried again a few more times and didn’t like any of them. I started over and got one to 3.5 pages. I liked that one’s direction so I worked with it to bring it down to two pages. Edit, revise, edit again and it’s done. Well, not really done, it’s dry and lacking personality or excitement.

Now because I feel I’m truly stuck on my synopsis and it’s very important in the process of seeking out a Literary Agent, I’m getting help. I am going to pay for professional consultation on my Synopsis, query letter and first 50 page submission. I will share this adventure and both the Synopsis and Query letter once they are perfected. Depending on how brave I am I may post the before and after.

I have bashed my head on the wall over this for many weeks. I can write a story, but to strip it bare and leave just the bones? I am struggling with it not sounding like someone’s reading a blurb on how to test and treat garden soil for alkalinity. My decision to get help on this doesn’t mean everyone will need to.

 

My advice about writing a Synopsis.

Write it, leave it alone for a day and revise it. Like pricking your fingers on a thistle you must pull barehanded. If you don’t let them heal between attempts and revisions you’ll have a bunch of holes in your fingers and your synopsis will be a bloody mess. At least that’s what I learned. I do recommend getting second and third opinions on what you wrote for your synopsis. (Assuming they have read or don’t mind complete and total story spoilers)

-Sheryl

 

Copyright © 2016 All rights reserved

What happened to that guy?

The forgotten character who hasn’t spoken in chapters. Yeah, I know, sometimes people are forgettable. That is a problem. Now I have to bring them back into the storyline.

This has happened to me twice. I will admit it because this is an opportunity in my opinion. If I’ve neglected them it’s for a reason. I have imagined the story progressing without them. I figure out why and then find a solution. Are they boring? Not enough personality? Are they crucial to the story? Do they complicate things unnecessarily?

For me, it’s a chance to spice someone up or darken their edges. Make them more likely to insult, or cower or perhaps say something funny. A good villain can be born from dialogue neglect. If I’ve neglected them maybe my characters have neglected him too. Make it an issue in the story. I could go back and make them moody or shy. The options are endless.

My advice about inadvertently leaving a character behind.

In my opinion, a flat character is your chance to shake it up. If all else fails, kill them in a relevant way to the plot or main character development. That way the reader won’t be asking “what happened to Bob?” Because they will know. Bob stepped into traffic and was hit by a car. He was sad and distracted about Juan ignoring him for three freaking chapters. Now Juan is riddled with remorse.

-Sheryl

 

Copyright © 2016 All rights reserved

To live life: Do what makes you feel alive.

BiaAtlas1

I often find myself thinking about working on my book. Whether it’s writing or editing,  I enjoy it immensely. Daily I tuck situations or conversation tidbits away for future reference. I can’t help it. Would that work for the antagonist? What if my protagonist had someone talk to her that way? I find inspiration everywhere and it has really opened my eyes. I see more, I hear more and I pay better attention.

I have had the questions come up, “How can you work on it so much?” or “Why do you spend so much time writing?” (and variations on that theme)

The answer is simple and it’s easy to explain in context. I look at the person asking and I think about something they do in their spare time that they love more than anything else. Whether it’s reading, playing video games, fishing, dancing or whatever they do a lot of. I then say, “You know that feeling you get when you –fill in the blank-? It’s the same thing for me when I’m writing or editing my books.” It is okay if they don’t understand, they don’t have to.

When I’m passionate about something it’s a thrill to see it through. I’ve had more than a few hobbies and many ebb and flow in my desire to partake, but once I found my literary confidence I find my craving for writing is steady.

My advice about doing what you love.
To put it simply I love what I do and do what I love. That is honestly what I believe the point of it all to be. Whether it’s writing or snowboarding or stand-up comedy, if you become excited thinking about something and it fills you with joy, don’t ignore it or let others drag you down. If you are fortunate enough to discover your passion run with it. Do what makes you feel alive.

-Sheryl

 

 

Copyright © 2016 All rights reserved

 

Copyediting. Why I didn’t pay someone to destroy my fragile confidence.

Blog Copy editors

My book is my baby. I love it, I created it and I’ve nurtured it. Now it needs to be cleaned up and ready to present. At first, I thought about hiring someone to edit my book for me. I wasn’t in a confidence place yet to open up and ask anyone I knew to do this. I was well aware that my manuscript needed a lot of tender loving care. A lot.

It seemed a daunting task so I began the arduous search on-line for copy editors.

What is a copy editor? They will read my manuscript, check for spelling and grammar errors. They will check my sentence structure for filter words and for flow, for continuity and plot holes (They might not call it that.) They don’t do this for free. I also found out after contacting a bunch that they will rip apart my manuscript. Tear it to shreds. So much that looks like they massacred a red pen or ten and hid the evidence on the pages.
I wasn’t ready to have someone apply their opinion and style to my work, I may never be.

For 136,000 words approx. (Keep in mind this is way over the max allowable word count, and before I revised it even once.) I received quotes from $2000 to $3500 Canadian for a basic copyedit. I even had one say unless I’m a master Russian author there was no way my book was good at that word count. How rude! That was a great criticism. Really it was because he pointed me in the right direction of word count reduction, which leads me down the right path of editing for me.

So I thought about this cost and what they do long and hard. I thought about it as I read through and spell/grammar checked my messy work. If I got a copy editor to revise my manuscript, it would no doubt be torn to shreds with a red pen. Then what? I fix it and have to have them revise again? That just got twice as expensive. I don’t have thousands of dollars to throw around. Nor was I comfortable with the idea of becoming dependent on someone’s idea of how my book should be. Mostly it was a cost issue.

I made two decisions. The first to take all of my spare time, and edit it myself. I do not have a degree in English so this was a slow and careful task. (Still in progress FYI)
The second. When I’m done editing as far as I can go and I don’t get any bites from Literary Agents in one year, I will revisit the option of hiring a copy editor. (I will write about my experiences surrounding Literary Agents in future blogs don’t worry.)

With every revision, I became more excited. It is shaping up and reading well. I can’t express how rewarding it is to work so hard on something that means so much. It wasn’t as scary or daunting as I first thought, and to be perfectly honest it allowed me to hone the story and make it more streamline. There are sequels to this, my first book, so I was able to go back and plant little foreshadow nuggets. I am glad the sticker shock forced me to re-evaluate my thinking.

My advice about Copy Editors.

If you need them and can afford it, it is your choice. I know they are very helpful.
In hindsight, I’m glad I didn’t. I feel pride in all the work I’ve put into my manuscript. I could not justify paying someone thousands of dollars to tear apart my manuscript. Just remember nobody can tell you paying for help is right or wrong, if you need help get it. Free or paid is nobody else’s business. Just be careful and check their references first, check to see if they are legit or a swindler. You are hiring them to read and revise your work. Make sure they are the right person/s to do that.

-Sheryl

 

Copyright © 2016 All rights reserved